Okay, so maybe I'm just overly feminist but I really believe that all characters should have more to them then just to serve the purpose of making another character change something about their ways.
In my fiction class today, we read a boy's short story in which he had such a character. A man moves to a new city, and he is naive about many things. He meets a pretty girl, and basically just from meeting this girl decides to change his life.
I don't buy that. And I told him so. But that he replied something along the lines of, "I feel like most guys do that." And my professor (who is a woman, by the way) agreed. Which really annoyed me. This girl should at least be using the guy for something in her life too. She shouldn't just be pretty and fun.
The female character he wrote is a Manic Pixie Dream Girl. Many movies I love have characters like this. Zooey Deschanel basically is one in real life. Wikipedia tells me that the MPDG is "that bubbly, shallow cinematic creature that exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures."
Why is this okay? How can a whole class of writers accept this? Maybe, I've grown to be too big of a feminist but I really believe all the characters should have their own purpose not just the purpose of making someone else's purpose.
"My brain and tongue just met, and they ain't friends, so far, my words don't travel far, they tangle in my hair, and tend to go nowhere" - Consequence of Sounds, Regina Spektor
Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts
Tuesday, February 14, 2012
Wednesday, January 11, 2012
Inspire me.
I believe I've mentioned in a previous post, but I'll mention again that I need inspiration to write. I'm not the kind of writer who just writes randomly for hours. I like to wait until I have something I want to write about.
That flaw or whatever it may be considered has been worrying me for this upcoming quarter. I'm taking three workshop classes, so I'm going to need a lot of inspiration.
Fortunately, I already found some. It was simple, actually. I don't want to post all about my short story here, but I want to share my love of waiting for inspiration.
Waiting makes me feel unburdened by my writing, and the words flow out. I think my characters sound more real, and I think my story is going to be funny. And I'm not great at funny.
Hopefully, I keep getting inspired. Especially for my poetry workshops. Poetry writing is my greatest flaw in being a writer. I just don't have poetry in my poetry. Not to make myself sound amazing but I feel I often have poetry in my fiction, but not in actual poems.
That flaw or whatever it may be considered has been worrying me for this upcoming quarter. I'm taking three workshop classes, so I'm going to need a lot of inspiration.
Fortunately, I already found some. It was simple, actually. I don't want to post all about my short story here, but I want to share my love of waiting for inspiration.
Waiting makes me feel unburdened by my writing, and the words flow out. I think my characters sound more real, and I think my story is going to be funny. And I'm not great at funny.
Hopefully, I keep getting inspired. Especially for my poetry workshops. Poetry writing is my greatest flaw in being a writer. I just don't have poetry in my poetry. Not to make myself sound amazing but I feel I often have poetry in my fiction, but not in actual poems.
Monday, October 10, 2011
The Adventures of Huck Finn
As you read and learn you begin to make connections with everyday life and the stories that you take in. Even in lectures and class, making connections with lessons with daily activities is bound to happen. But maybe, in creative writing classes this happens more.
Today, in my survey course on fiction writing my professor went on a rant about how high school English classes over analyze stories for symbols. He claimed that no writer he knows sets out to write a symbol into their novel, and that as a writer this is something we should never do. His rant sent me back to a high school, and a story that my friend told me about her English teacher.
While reading The Adventures of Huck Finn, her teacher said, "They were on a wooden raft. You know what else is made of wood?" After no response, he said, "The cross!" It took everything in my friend not to reply, "The raft was made of wood because rafts are made of wood, not because of Jesus."
Ignoring the religious aspects of this argument, you can see my professor's claim on symbolism coming into light. This rant was something tangible and attainable to me because I experienced this exact over analyzing in my own high school. This memory only seemed more relevant to me when later in the class my professor began to explain how in structuring a novel or short story there can be a disconnect of what the main character knows, versus what the reader knows and he used Huck Finn as his example.
Today, in my survey course on fiction writing my professor went on a rant about how high school English classes over analyze stories for symbols. He claimed that no writer he knows sets out to write a symbol into their novel, and that as a writer this is something we should never do. His rant sent me back to a high school, and a story that my friend told me about her English teacher.
While reading The Adventures of Huck Finn, her teacher said, "They were on a wooden raft. You know what else is made of wood?" After no response, he said, "The cross!" It took everything in my friend not to reply, "The raft was made of wood because rafts are made of wood, not because of Jesus."
Ignoring the religious aspects of this argument, you can see my professor's claim on symbolism coming into light. This rant was something tangible and attainable to me because I experienced this exact over analyzing in my own high school. This memory only seemed more relevant to me when later in the class my professor began to explain how in structuring a novel or short story there can be a disconnect of what the main character knows, versus what the reader knows and he used Huck Finn as his example.
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